Accountability

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Play music together!

 I recently heard author (of Eat, Pray, Love) Elizabeth Gilbert speak about creative work:

Everything that is interesting is 90% boring… and we are in a culture that’s addicted to the good part, the exciting part, the fun part.

I laughed out loud when I heard her say that. It’s so true! It is incredibly difficult dealing with the tedium of practicing something challenging, day after day…but the willingness to work through that tedium is exactly what separates the artists from the quitters. What can really help us become more productive is a system or structure of accountability. If you are a piano player, please read my post called Have a Plan, with lots of suggestions for getting your bottom to the bench. 

Luckily for me, piano students usually require teachers to make sure they are playing correctly. Good teachers also act as trusted mentors, helping students to stay on track with consistent practicing. An effective mentor guides without dictating; s/he offers you the wisdom of experience while also listening to and respecting your voice. Director Steven Spielberg famously said, “The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.” A mentor or teacher should hold high expectations of you, and question and challenge you in a positive way. The ideal piano teacher is open to the styles of music you want to play, and helps you address your challenges. Give your piano teacher permission to level criticism when s/he sees you going astray, or not taking your piano studies seriously. Teachers should also acknowledge your progress.

Another great means to accountability is playing the piano for and with other people. My students and I hold a Piano and Poetry Party three times per year to share music, and support each other’s progress. It is wonderful for me to see my students making more time to play  before a performance. The anticipation of performing gives us that extra edge of motivation to practice. As a result, the pieces we perform are the ones we remember the best, even years later. If you don’t have recitals or performing opportunities with your piano teacher, you can seek out other ways to get social with your music. There are lots of meet-up groups and open mics for musicians that want to play for each other, and pianists can get together with other instrumentalists such as guitarists, flutists, violinists and singers to jam on a few tunes.

Ultimately, however, you must make yourself accountable to your values and your vision. Plan your practice sessions at the beginning of each week, allocating the minutes (or hours) in your calendar. Establish a structure for practice and stick with it. When you need to miss your practice session for an extended period of time, such as for a vacation, write your intention to leave for the appointed amount of time and resume your practice when you return. Take yourself seriously; keeping aligned with your creative objective even when it is incredibly difficult is an act of self-love and a sign of healthy self-worth.

How to you hold yourself accountable to your creative practice? Please leave a comment! It is great to share ideas 🙂

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Passion Practice

This post has been excerpted and edited from my upcoming book called Passion Practice: A Playbook for Overcoming Obstacles to Creativity, which will hopefully be available in the fall! I will be giving 10 copies away as soon as it is in print, through Goodreads and Amazon.com. I’ll keep you posted!

With love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul

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May FREE Sheet Music: Pavane

Pavane
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My dear student Joan requested the beautiful and melodic Pavane by the French composer Gabriel Fauré so I wrote a couple of arrangements for our piano community 🙂 One is exactly like the original, only a bit shorter, and the other I simplified to an early intermediate level. It has been used in many films and television shows so it will probably sound familiar to you. The Pavane is one of those pieces that appeal to both the young and old, so please feel free to share it with your friends, students or other teachers. *** Update! My student pointed out that the Pavane is played in the hiphop hit Paparazzi by Xzibit! Keeping it current 🙂

 

CLICK HERE TO PRINT PAVANE                                                (only available until May 2019)

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Maypole in Los Angeles

Happy May Day! In Europe and Scandinavia May Day was traditionally celebrated with a maypole dance in which neighbors circle around the maypole weaving their ribbons in and out. What might you like to weave into your life this spring? Think about an intention you might set for your practice, and begin each practice session by setting a small goal for a small section of your music, in support of that intention.

I want to remind you to think about your posture when playing the piano. When you want to bend forward, be sure to bend with a straight back. Check-in with your body now and then to make sure you are not curving your back or extending your neck. We tend to hunch over and extend our neck as we age,  (and as we text!) and that can cause “forward head posture”, with its attendant neck and back pain.

I hope you enjoy a lovely May filled with flowers and a few showers, wherever you are! With love and music, Gaili

Author, Upper Hands Piano:A Method for Adults 50+ to Spark the Mind, Heart and Soul

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Mise en place

I just finished reading an interesting book called Practice Like This: 35 Effective Ways To Get Better Faster by Jonathan Harnum, PhD. It’s a book about practicing in general– sports, games, painting, music, cooking, etc.– but the author is a trumpet player, so his practice strategies are all applicable to the musician. In the coming weeks I will share what I think are the most valuable practice tips for us piano players.

As a passionate foodie, I was immediately attracted to Harnum’s use of the chef’s term, Mise en placeMise en place is a French culinary phrase which means “everything in its place.” It refers to the set up required before preparing a meal as well as the organizing of a kitchen.

My daughter runs an amazingly delicious Mediterranean restaurant in the Hamptons area of New York called Calissa that features an open kitchen (see photos!) I find it fascinating to watch the chefs as they create their gorgeous meals. Though they are feeding as many as 250 people at any given time, everything they need seems to be at their fingertips. As Harnum writes: “When things get hot and heavy in a busy kitchen, there’s no time to hunt for your cracked pepper or your sharpened paring knife.”

A good chef, baker or cook knows that in order to be efficient and focused, they must assemble all of the tools and ingredients they need before preparing a tasty dish. 

 A kitchen must be clean, and well organized so that the chef knows where everything is and feels inspired to work her culinary magic.

Likewise, says Harnum, for a musician: “If you adopt the mise-en-place approach in your practice, you can toss off a quick practice session with no setup time.”

As pianists, we don’t always have a lot of choice as to where we can put our pianos, but they should ideally be kept in a place where we can readily sit down and play for 5 or 10 minutes. It’s best to keep your instrument in an area where you will constantly see it; people whose pianos or keyboards are in basements or converted garages tend to practice less, because they simply forget about it! On the other hand, if a piano is in the same room as a television or another popular family entertainment feature, our playing might be prevented or interrupted, and the practice opportunity is lost. If your piano is in a living room or den, you might want to consider purchasing a small keyboard with headphones that you can keep in your bedroom and play anytime.

I keep antibacterial wipes and a microfiber cloth nearby to clean germs and dust off my keys regularly. Never spray anything on your keys, just use a damp microfiber cloth to remove dust, and a non-toxic non-bleaching disinfecting wipe such as Seventh Generation to remove germs (see links at the bottom of this post for my recommendations). 

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Most importantly, we must put our mobile phones away. 

We can’t focus when we are hearing the bells of incoming messages and seeing the flash of our latest instagram LIKES. A good strategy is to put the phone in another room with the sound off. If you know that you only have a certain amount of time to practice, set the timer to ring in 20 or 30 minutes and forget about it, just as you might do while meditating. 

Using natural light or a piano lamp with a full spectrum or soft light bulb instead of harsh LED light also creates a more inviting learning environment. A vase of flowers or herbs (mint is easy to grow and makes a refreshingly fragrant bouquet), and candles (beeswax aren’t smoky) make your playing space feel special. I love playing the piano at night by candle-light. Music-themed or other pleasing artwork on the walls can also be inspiring.

One important element in creating the feeling of a sanctuary or sacred space is to clear our piano area of clutter; when I moved music books and sheet music to a file box next to the piano instead on top of it, the piano area looked much more appealing. Clearing clutter from our pianos, helps to de-clutter our minds.

Before you start playing, you might fill a spill-proof flask (I love Kinto’s) with water (with cucumber slices?) or a hot drink such as Teeccino (an herbal coffee substitute) or other herb tea near (not on!) the piano to stay hydrated in between pieces (not coffee- it’s not great for hydration!) And if you might get hungry, put a small bowl of raw almonds, walnuts or carrots close by so that you can have a quick snack without needing to wash your hands. 

Likewise, we piano teachers need to take stock of our studio space, with the goal of providing a clutter-free, quiet, and calming environment, conducive to the joyful expression and creation of music.

Students walk in with all of their worries and pressures, and I hope that at least for the duration of our lesson, they are able to put their concerns aside, and connect to their music. New studies are showing that listening to “happy” music, in particular “promotes more divergent thinking.” I hope that when students leave their lesson, their mind feels a little freer. And through the brain enhancing magic of music, maybe even a few new creative solutions to their problems might pop up on their ride home. 

Take a look at your piano and see if it feels welcoming. Think about what you might do to create a Mise en place practice space. Please leave a comment sharing your ideas and observations!

With love and music, Gaili

Author, Upper Hands Piano: A Method For Adults 50+ to SPARK the Mind, Heart and Soul

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WHAT??? 12 Ways To Protect Your Ears Against Noise-Induced Hearing Loss

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Let me begin with a painful confession: I abused my ears in my youth. I played keyboards in a rock band that performed on crowded stages with stacks of Marshall guitar amps screaming behind me and stage monitors blasting me from the front. The fact that my acupuncturist could take away the persistent ringing in my ears gave me false confidence that my hearing loss and tinnitus were temporary and curable. When I outgrew the touring life I began scoring films (along with teaching piano) and had to compose late at night using headphones so as not to wake my family and neighbors. But another confession: I like it loud. Listening to my mock orchestral scores in headphones at high volume was a euphoric pleasure I indulged in far too often. After scoring my second movie I took my ringing ears to my acupuncturist and was horrified to discover that his treatments no longer worked. I launched into desperate experimentation with Chinese herbs, nutritional supplements, body work and foods that were rumored to improve auditory function. But nothing cured the ringing or hearing loss. I would lose big chunks of conversation if I was not staring at the speaker’s lips. There was nothing else for me to do but invest in a good pair of hearing aids; hearing aids are extremely helpful, but not a fix by any means. Listening to music will never be the same, and I still have a lot of trouble understanding women’s and children’s words.

More than ever, hearing loss and tinnitus (ringing in the ears) is a huge problem in America for musicians and non musicians alike. According to the National Institute On Deafness and Other Communication Disorders (NIDCD) one in eight Americans 12 years and older have hearing loss in both ears. The New York Times reports that though hearing problems can be age-related or due to genetic factors, medications, ear wax and illnesses, most hearing problems are noise-induced. Noise-induced hearing loss can result from one loud noise such as a gun shot or explosion near your ear. Or it can be from prolonged exposure to noise such as street traffic, subway trains, sirens, jets, motorcycles, or unfortunately, loud music.

We love listening to loud music with ear buds or headphones, but music above 85 decibels can cause damage in just 15 minutes according to Dr. Michael D. Seidman, author of the book, Save Your Hearing Now. I tell my students to set a comfortable volume for headphones, ear buds, or speakers, then turn it a few notches down. Always listen at levels softer than you would like. And give your ears a rest after 30 minutes of listening, even at lower levels. 

If you listen to music with headphones on flights, at the gym, or while walking in the city, it would be worth your while to invest in a pair of good noise-canceling headphones such as the Bose Quiet Comfort series (I have the QC15 over-the-ear). Noise-canceling headphones reduce background noise so that you can listen to your music at lower volumes.  If you are listening with noise canceling headphones on quiet streets or hikes but find that you can’t hear your music when you move to a busy street, instead of turning up the volume, pause the music until you’re in a quieter place again. 

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I hate to say it, but concerts can be hazardous to your hearing health! Hear Forever reports that symphonic concerts can range upwards from 90 decibels advising that musicians should wear ear plugs while performing. And listeners should wear ear plugs, too, especially if they are sitting near the brass section, or in front of speakers. I never leave home without ear plugs.  Rock concerts in stadiums or small clubs are even louder.

Responsible musicians wear ear plugs while they play, and so should their fans. Yes, ear plugs muffle the sound, but they protect your ears, so get over it and wear them! And make sure your kids wear them too! Ask yourself if listening to loud music is really worth a lifetime of ringing in your ears, and having to say, “WHAT?” whenever anyone speaks to you. Not being able to be part of a conversation makes you feel isolated and embarrassed. Believe me, I know.

You can buy inexpensive but effective ear plugs at any drug store, or google “custom molded ear plugs” or “musicians ear plugs” if you want to try something more comfortable or less muting than the over-the-counter offerings.

Here are some other decibel levels provided by the Hearing Health Foundation:

 

  • Firecracker/gun shot 140-160 dB
  • Jet take-off 140 dB
  • Ambulance siren, thunderclap 120dB
  • Jack hammer, concerts 110 dB
  • MP3 players at maximum volume 105dB
  • Subway platform 95dB
  • Heavy traffic, school cafeteria 85dB
  • Dishwasher 75dB
  • Vacuum, hair dryer 70dB (but many blow dryers are louder than that!)
  • Normal conversation 60dB
  • Whisper 30dB

More suggestions for avoiding noise-induced hearing loss:

  • Don’t be embarrassed about putting your hands over your ears as a subway train or siren passes you by.
  • Remember to turn on your device before putting on your headphones, in case the music is too loud. 
  • If you use a blow dryer frequently or for more than a few minutes, wear ear plugs.
  • Wear ear plugs when in an elementary school cafeteria or auditorium.
  • Wear ear plugs when operating loud equipment such as lawn mowers, blowers, chain saws, and even vacuum cleaners. 
  • Keep ear plugs with you at all times.

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It’s too late for me- I can’t undue the damage I did to my ears in my ignorance. But I hope that my post will encourage you take action to protect your own ears. Hearing aids are EXPENSIVE (they cost thousands); they make speech sound tinny (even the best ones), and music sound out-of-tune (even with good music settings); though they are extremely helpful, I wouldn’t suggest thinking of hearing aids as a back-up plan when deciding whether or not to wear ear plugs in a loud situation.

Protecting your hearing is a vital part of living a healthy, happy life. 

To read a scientific study about listening to loud music, click here.

I welcome your comments! With love and music, Gaili Schoen

Author, Upper Hands Piano: A Method for Adults 50+ to SPARK the Mind, Heart, and Soul

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Why Do You Play the Piano?

 

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I am studying the effects of piano lessons on the brain at the University of Washington, and have found a host of scientific studies showing that piano instruction enhances mood, quality of life, movement, and Executive Functioning in the brain. Executive Function is kind of like the CEO of our brain and is located in the frontal lobe. Amongst other tasks, it facilitates attention, learning, memory, organization, decision-making, perceiving and estimating time, planning and executing plans, multitasking, problem-solving, analyzing, flexibility and reasoning.

You can read three of these fascinating studies here: Piano Lessons Increase Executive Function and Memory, here, and there.

Many are drawn to the piano because they have heard that it is an awesome brain workout, but I think you might agree that there has to be additional motivation in order to keep us doing the hard work of learning to play the piano. What gives you the willingness and courage to keep a piano practice?

For me it is a deep connection to music that feels like a spiritual practice. When I’m playing a piece I love I feel a sense of delving deep into my core. As I practice something challenging, I strive to become fully engaged in the notes and fingering and whatever set of skills I need to gain in order to learn the phrase. To me it’s worth all of the trouble, to get to the place where I can play and understand the music.

I haven’t always felt this way, however! As a child there were weeks (and maybe months) that I tried to quit piano lessons; it was sometimes so difficult to find the time to practice, or my teacher moved away (my beloved teacher Judy Lloyd moved to Australia to be with her boyfriend, and it broke my heart!), or I just wasn’t sure I was committed.

But I would soon begin to feel incomplete and disappointed in myself; stopping lessons left a hole in my life and I missed working on my piano skills. I missed the engagement, I missed the connection, I missed the music.

I often ask my students, “Why do you play the piano?” Here are some of the answers I have received:

“I play because I love music”

“It’s my therapy; it calms me and helps me to stay focused in general. I’ve definitely noticed that I have better concentration since starting lessons.”

” It’s a goal I set for myself to learn how to play the piano and understand music.”

“It’s fun!”

What brings you to the bench? Of all the activities you have to choose from, why do you choose the piano?

With love and music, Gaili

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When Should You Be Practicing?

Practice In The Morning
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I am often asked for tips on how to practice effectively. In my recent post entitled The Best Ways To Practice using the latest brain researchI showed that practice is most effective when we leave time in between our practice sessions for some forgetting to set in. After we forget something or forget parts of something, it feels more difficult to relearn it. And that difficulty makes us learn it better! But does the time of day that we practice matter?  Yes it does!

I have just finished listening to The Great Courses Lecture Series called Memory and the Human Lifespan by Professor Steve Joordens. Professor Joordens asserts:

Our circadian rhythms shift as we age–in adolescence and teen years we are more likely to be night owls, and as we age, we become morning people. We are alert earlier in the day and we get drowsy sooner in the day. Young people don’t start to feel really alert until lunchtime, then school ends just as they are starting to feel cognitively strong.

Dr. Joordens cites research by psychologist Lynn Hasher who studied memory retention in both younger and older people, both early and late in the day. When you compare young to old on memory tasks late in the day, the younger people scored much better. But when you compare young to old on memory tasks earlier in the day, the older people scored higher than the young!

Older adults will retain more information and skills if they practice earlier in the day! It would be great if they could fit in another short practice session just before going to bed, because sleep helps to embed new skills and concepts into long-term memory.

Children will remember more if they practice later in the day, preferably after having a healthy drink and snack (and washing their hands!) If they have the time, they too would benefit from another short practice session right before bed to let the magic powers of sleep do its mighty memory consolidation.

According to the National Sleep Foundation:

Sleep actually triggers changes in the brain that solidify memories—strengthening connections between brain cells and transferring information from one brain region to another.

We tend to focus on WHAT to practice – but as interested music teachers and students we also need to take into account HOW and WHEN to practice most effectively according to the processes of the brain. Have you found these parameters to be true for your practice?

With love and music, Gaili

Author, Upper Hands Piano: A Method for ADULTS 50+ to SPARK the Mind, Heart and Soul

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Finger painting (Improvising, part 2)

Hello Piano Lovers:

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Today I’d like to delve further into the question, why should we improvise?

Firstly, if you read my post from yesterday, Improvising, Part 1, you know that brain scans ( fMRI) show that improvising activates a whole other part of the brain. It is called the Brodmann 9. The Brodmann 9 deals with short-term memory, verbal fluency, error detection, empathy, attention to emotions, planning, calculation and a host of other brain functions. Brain stimulation alone is reward enough. But improvising brings other gifts:

Once you become more comfortable with improvising, you’re able to cover up memory slips in your playing much more easily. You trust that you can fill in a couple of notes while you recover and keep going.

Recent studies show that improvising has a “releasing” effect on your creativity and originality in general. When you practice improvising, you are practicing letting go, opening your mind, inventing, risking, and imagining. You are becoming more adaptable. Adaptability is an important component of aging well.

As Sophia Loren said,

There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of people you love. When you learn to tap this source, you will truly have defeated age.

Let’s face it, studying the piano can be tedious. Practicing an exercise and playing a piece is challenging, and coming up against a difficult passage can be frustrating. Sometimes we just need to let loose and play something with no right- or wrong-ness to it.

Being creative is tapping into our humanity. It is an expression of our inner experience and our uniqueness. It is like a spoken history of who we are, and where we have been. Let the piano be your palette; paint a picture with your music.

Have I convinced you that improvising is at least worth a little experimentation? If so, try this:

BLACK KEY IMPROVISATION

  • Hold down a low F# octave (the two lowest F#s on your piano) with your left hand. Keep repeating the octave whenever it starts to fade away. With your right hand, play the black keys from the C# below middle C, moving up the keys for a few octaves. Then play the black keys moving back down to where you started. Next, move up and down within one octave.
  • Continuing to play F# octaves with your left hand, have your right hand skip around amongst the black keys. Play some that are next to each other, and some out of sequence.
  • Now vary the rhythm. Imagine that some are quarter notes, some are eighths moving twice as fast. Play some half and whole notes. Form a pattern with your rhythm such as quarter, quarter, eight, eighth, quarter, across the keys.
  • Repeat any phrases that you like, and make a mental note of them. Experiment with different key patterns such as moving up two keys then down one, over and over.
  • Now vary your dynamics. Play some notes forte, others piano.
  • Next vary your tempo. Play some notes allegro and others largo.
  • Try playing the black keys imagining you are in 3/4 time. Then go to 4/4. Then play with no meter, just let the music flow.
  • Try this improvisation again at another time and record yourself. Or write down any musical phrases you liked. You can use standard musical notation, or any type of short hand such as writing down the letters of the notes you played.

How was this for you? Did you enjoy it? Keep reminding yourself to let go, and not to judge. Think of it as finger painting! Dip In. Go to Improvising Part 3 here.

With love and music, Gaili

PS If you’re interested in learning more about how improvising affects the brain, watch this Ted Talk by Charles Limb.

7 SMART SNACKS!

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The latest food studies show that WALNUTS are at the top of the list of “brain foods.” Researchers at the David Geffen School of Medicine at The University of California, Los Angeles have found that eating a small handful of walnuts per day can improve your memory! And they help you to lose weight by filling you up with omega-3s.

The British newspaper The Telegraph reported today on six additional snacks that are good for the mind:

1) Along with walnuts, SALMON is also rich in omega-3 fatty acids which are important nutrients for the heart and the brain. If you can’t find wild caught salmon, you can also try fish oil supplements. 

2) A study out of Tufts University showed that BLUEBERRIES can actually reverse memory loss, and improve balance and coordination. Antioxidants found in blueberries have also been shown to prevent macular degeneration and maintain eye health.

3) One of my favorite foods, AVOCADOS contain extremely healthy unsaturated fats, which help to keep brain cell membranes flexible. I like to spread avocado on rice cakes, or smash it with a little lemon and salt as guacamole into which I dip raw veggies like carrots and celery. 

4) WHOLE GRAINS such as brown rice, quinoa, barley and oats (steel-cut or oat “groats)) provide another source of healthy brain food. Prepare your grains whole then refrigerate leftovers instead of reaching for bread or pasta.

5) People who eat lots of BROCCOLI perform better on memory tests. Here’s what the experts say about broccoli’s nutrients: 

Vitamin K helps to strengthen cognitive abilities while Choline has been found to improve memory. Broccoli also includes a sizeable serving of folic acid, which can help ward off Alzheimer’s disease. Studies suggest that a lack of folic acid could lead to depression, so eating plenty of broccoli could also keep you happy.

6) Here’s the best news of all; DARK CHOCOLATE is great for your brain! The flavanols found in cocoa improve blood flow to the brain which improves cognitive function and verbal fluency in older adults. My favorite hot drink is to mix raw cocoa powder with almond milk. Drinking this throughout the day instead of eating is my best weight control secret!

Are you hungry now? What other brain foods do you enjoy?

With love and music, Gaili

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PLEDGE TO PLAY: 10 MINUTES A DAY!

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Dear Piano Lovers!

I love that January is the time of year for new goals and added resolve. If you are reading this blog, you probably know that taking piano lessons is the very best way to boost brain function and memory, while having fun! But you do have to play regularly to progress, and to enjoy the maximum brain benefits. Research shows that short daily practice sessions are more effective than one long weekly session. If you practice 6 days for 10 minutes a day, you’re going to learn and remember better than if you play one day for 60 minutes. Playing daily, even for a short time, is going to get you the best and quickest results. But I know how difficult it is to make the time to practice! Our Pledge To Play: 10 Minutes a Day challenge will hopefully give you that extra bit of motivation to get you to the keys. Every one who completes 30 days of practice will receive a free gift! Plus you’ll have 30 days of practice tips and motivational emails from me to keep you going. All you have to do to join is to subscribe to this blog (if you haven’t already) and write a reply such as, “I’m in!” You can find the subscription form at the bottom of this post. (Don’t worry, I won’t share your email with anyone.) You’re welcome to report on your progress and I encourage you to make comments whenever you’d like.

I hope you’ll join us:

January 15th – February 13th  

More information to follow. Happy New Year!

With love and music, Gaili

P.S. Last year I made a Pledge To Play video, to tell you about how I became a piano teacher and why you might like to join our 30-day challenge. CLICK HERE TO WATCH VIDEO

Highly Successful People Say Musical Training Impacted Achievements

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The NY Times recently ran an article called “Is Music The Key To Success?” The author, Joanne Lipman showed that many of the most successful Americans play instruments. Alan Greenspan (former chief of the Federal Reserve), Condoleezza Rice (former Secretary of State), Steven Spielberg (filmmaker) and Andrea Mitchell (NBC’s Chief Foreign Affairs Correspondent) all play musical instruments. You have probably heard that children who study music elevate their test scores (particularly in math and including IQ) but these highly successful people are convinced that their musical training impacted their professional achievements as well.

The aforementioned luminaries plus many others that were interviewed for the article believe that the years they have spent practicing and focusing on their instrument have influenced the way that they think in general. They have learned how to attack a problem from many angles with imaginative and unconventional solutions. Neuroscientists often recommend that you hang your pictures upside down, change your furniture around and take a new route when walking or driving somewhere, to stimulate your brain to see things in a different way. Similarly, the act of learning a piano piece activates new neural pathways in the brain and sparks the senses anew each time you practice.

The high achievers in the article have learned that working hard on something such as music really does produce results. Sometimes as beginners we think we will never learn to play the piano, but when we practice, we keep improving! That helps us to build confidence in ourselves, and to recognize that we have control over what we would like to accomplish.

Billionaire hedge fund chairman Bruce Kovner says that his investing is influenced by his piano playing, as “both ‘relate to a kind of pattern recognition.’” Finding patterns in our music helps us to learn it more deeply and aids memorization.

Paul Allen, the co-founder of Microsoft says, “music ‘reinforces your confidence in the ability to create.’” James D. Wolfensohn, the former World Bank president believes that playing an instrument restores balance to your life. Sitting down at the piano can bring back that sense of artistry and equilibrium that we sometimes lose in the course of a stressful day.

How has playing the piano influenced the way you are in the world? Have you noticed that you have increased patience and trust that your concentration and self-discipline will bring you closer to your goals? What have you noticed has changed since you have started playing the piano? I welcome your observations! With love and music, Gaili

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Here is a link to the NY Times article

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