Now more than ever it feels important to play beautiful music, to calm and elevate the spirit. The theme from Swan Lake has a gorgeous, haunting melody that I hope you will enjoy playing. I have created an early intermediate piano arrangement for you that expands on the theme I offered in Upper Hands Piano BOOK 4. If you are a beginner, you can play just the treble staff notes, or you can add a note or two from the bass staff. You can listen to a Youtube video of the Swan Lake theme here.
Some of my students who have been working through the ledger line worksheets are having trouble figuring out which octave in which to play the low bass ledger line notes. To help you get a handle on which bass note is where, I have created another set of worksheets 😆
The first page starts with a chart to show you that A3, which is two white keys below middle C, is written on the top line of the bass clef, A2 is an octave below A3 and is written on the bottom space of the bass staff, and A1 is an octave below A2 and is written three ledger lines below the bass staff. If you can learn the octaves for those three As, you can use them as touchstones to find the octaves for all of the notes in between. I have color coded the notes by octaves, so that you can refer back to the chart on page 1.
If locating the correct octave is an issue for you with bass notes, start by playing line 1 forwards and backwards for at least a week, until you feel confident that you know where each note is on the keyboard. Then slowly go through the first few lines on page 2, referring back to page 1 to make sure you are in the right place. As always, play the lines forwards and backwards to double your practice, and challenge your brain. Another great way to practice is to say either “A2,” “A3” or “A4” when you come across each A.
I hope you find these worksheets helpful! I’m always looking for ways to help students overcome their musical obstacles, so leave a comment if you have another issue you would like me to highlight.
If you are new to this blog, thanks for joining me! I have written a series of piano instruction books called Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul. My mission is to make learning how to play the piano easier and more fun for older adults by applying the latest innovations in learning science, along with using larger notes and fonts, brain games, videos and lots of encouragement. You can check out the books on my website, or on Amazon.com.
With love and music, Gaili
P.S. I just noticed that Amazon has put Upper Hands Piano, BOOK 2 on sale for about 25% off at $16.63 (regular $21.95). I have no idea how long it will be on sale, but if you’re nearing the end of BOOK 1, now might be a good time to purchase BOOK 2!
One of the most requested piano pieces is Scott Joplin’s, The Entertainer. Though Joplin wrote it in 1902, it was used in the film The Sting which was set in the 1930s, because it conveys an exuberant sense of humor and mischief. Ragtime is challenging to play because of its syncopated rhythm. Syncopation is when a weak beat (the eighth notes between beats 1, 2, 3 and 4, or the notes we count as “and” and call “upbeats”) is tied to a strong beat (beats 1, 2, 3, and 4, called “downbeats”). An upbeat is made strong when it is tied to a downbeat. In The Entertainer you will see a tie connecting the “and” (upbeat) of beat 2, to beat 3. The tie naturally accents and emphasizes the upbeat. Syncopation creates the jaunty rhythm characteristic of ragtime. Almost every measure of The Entertainer has a syncopated note.
Though I have simplified this arrangement of The Entertainer a bit, it is still quite a challenge to play. I would suggest that you approach the piece by writing the counts under the notes. [Never feel embarrassed to write counts in your music–even professional musicians write in counts for tricky musical passages.] After awhile you won’t have to worry about counting when your ear kicks in, but be meticulous about your counting to start. If you find the introduction too difficult to play with two hands, feel free to play it with just your right hand. And as always, you are welcome to change fingerings if you find something you like better.
Remember the free sheet music I post is only available for a year. If you are reading this and want a copy of The Entertainer after The Entertainer is no longer on the FREE SHEET MUSIC page, leave a comment below or email me at firstname.lastname@example.org to request a free copy.
I also wanted to point out a new (restored) RESOURCES page on my website. On that page I list books of music that you might like to play while playing through the Upper Hands Piano method (with BOOKS 2+), and after you have finished the series. I have included fake books with popular music and standards, as well as classical collections.
I hope you have been enjoying a lovely spring in your neck of the woods. If you are preparing for an upcoming performance you might find my posts on Performance Anxiety and Recital Season helpful. I’m currently working on worksheets for students who have a difficult time remembering which octave to play their bass notes. If you need help solving piano issues, feel free to make a request in the comments below. I’m always happy to find ways to help students remove their musical roadblocks. Chances are that many others are sharing your difficulties.
A thousand apologies for my tardiness in posting my April free sheet music. March is a busy month for me- I start the month practicing Irish tunes for upcoming St. Patrick’s Day gigs, then on March 18th I get serious about doing my taxes. Then my students and I have our spring Piano and Poetry Party (a friendly, informal recital). Along with all of that March madness I spent many hours arranging Camille Saint-Saëns’ The Swan for you, my beloved blog subscribers. It was a tough challenge to represent Saint-Saëns’ many gorgeous harmonies into an easy(-ish) arrangement for solo piano. By the morning of April 1st I had the 3-page arrangement all finished except for the fingering…..when my computer crashed. I had saved the score to a thumb drive, but when I loaded Sibelius (my music notation software) onto another computer, The Swan file popped up as “corrupt file.” I tried every known fix for my crashed computer but no luck, the computer is toast. Hopefully I will be able to extract The Swan from the internal hard drive in the future, but until then, I decided to switch to working on Amazing Grace instead. (we have to roll with the punches, right?)
Have you seen the documentary about Aretha Franklin called Amazing Grace? It was filmed in 1972, but is now finally being released nationwide. In honor of the amazing Aretha, and to celebrate Earth Day, I’ve arranged Amazing Grace three ways. You can play the first version (easy), the second (intermediate), the third (advanced jazz/gospel), or play all three as a progression from simplicity to the fully colorful. If a version feels too difficult for you this year, print it anyway, and you may be able to play it next year.
As with of my free sheet music on the UpperHandsPiano.com website, Amazing Grace will only be posted for a year, and then I need to make room for new pieces. Look at the other sheet music and print whatever you like now, before it’s gone! If you are reading this after it has disappeared from the website link above, email me at email@example.com to send you a copy via email.
Earth Day is coming up on April 22nd, and is a time to actively protect our environment. Some people plant things, or clean up public spaces, or attend weekend festivals which educate and inspire. You can look here for ways to celebrate Earth Day 2019.
Thanks for hanging in there with me. I am learning the new version of Sibelius software with its steep learning curve, but as we all know, learning difficult things, like playing the piano, is the best way to keep our brains functioning optimally. So it’s all good 🙂
I hope you are enjoying the first flowers of spring, wherever you are! Please leave a comment and tell us which version of Amazing Grace you are playing! Any and all comments are gratefully received. With love and music, Gail
To reawaken love and beauty when life feels overwhelmingly painful, we can turn to our music. This gorgeous theme from the 2nd movement (video) of Beethoven’s Sonata Pathétique reminds me that alongside recent horrific events, there have been incredible acts of human kindness and generosity that fill me with optimism and love. I hope that playing Beethoven’s music swells your heart as it does mine.
Beethoven’s Sonata Pathetique is an advanced piece, but as you know, I like to take difficult pieces and make them accessible to beginning and intermediate piano students. So I have transposed the Adagio cantabile theme to the key of C, and simplified it ever-so-slightly for the intermediate student. I hope in doing so I have retained the original beauty of the movement, while offering a challenging, yet more easily played arrangement for the intermediate pianist.
Note: I can only keep each free sheet music arrangement on my website for a year. If this title is no longer available on the Free Sheet Music page of my website, please request it by email: firstname.lastname@example.org and I will email it to you! Don’t worry, I won’t spam or share your email.
I also have a very easy 1-page arrangement of the Sonata Pathetique for beginners. The easy arrangement loses much of the beautiful harmonies of Beethoven’s theme, but for the beginner it might be a fun entry. To get the 1 page arrangement, please email me at email@example.com and I will happily send it to you. No spam, ever, I promise!
Because I have been suffering from some nasty food poisoning, it’s taken me awhile to tell you my big news…
American Music Teacher magazine has published an article I wrote entitled Geragogy: The Joys of Teaching Older Adults, in its October/November issue! American Music Teacher is The Official Journal of Music Teachers National Association (MTNA) of which I am a proud member and contributor.
If you are a member of MTNA you can read my article on p. 16 of the current Oct/Nov issue, or you can read it online here. I offer specific teaching examples for piano teachers, but most of the article is useable by teachers of all instruments. Thanks American Music Teacher for encouraging me to write about my passion: teaching piano to older adults. I’m working on a follow-up article about teaching students using scientific studies on how the brain learns and retains musical information (for teachers of students of all ages.)
I hope you have a beautiful Thanksgiving filled with good food, good friends and/or family. Perhaps you can serenade your loved ones with the Adagio cantabile if you start practicing the piece today! Look around and see how the faces of your audience have softened into love, peace, and joy while listening to your beautiful music. Remember, it doesn’t have to be even nearly perfect. Play from your heart and your listeners will feel elevated by the beauty of the music.
I have had many requests for easy sheet music to Debussy’s Clair de lune, and so have transposed it to C and simplified it for the intermediate piano student. I have also arranged a one-page EASY version of Clair de lune for the beginner.
Note: I can only keep each free sheet music arrangement on my website for a year. But I have reissued it here.
Here is a performance of this intermediate arrangement of Clair de lune:
Clair de lune, (translation: “moonlight”) is the third movement from the Suite bergamasque by French composer Claude Debussy. It has been featured in many films for its beautiful, emotive quality. I have written in fingering, but as always it is only a suggestion, and you can change it per your own comfort.
Labor Day feels like the beginning of the end of summer. Are you sorry to feel the air chilling and the days shortening? Autumn is my favorite season so I am happily anticipating the days ahead. Perhaps you or your students can learn Clair de lune to play for your family on Thanksgiving! Remember that sharing your music is a gift to your loved ones, and planning to play for an event is a great way to get motivated to practice.
For those of you new to my blog, let me tell you quickly that I am a piano teacher of over 30 years, who has spent the last decade doing research on how the brain learns and retains musical information. I’ve used principles of the learning sciences to write a series called Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul (available on Amazon.com), and am currently writing a series called Piano Powered, for children and young adults. I have an article coming out in the magazine American Music Teacher soon about teaching older adults, with an article about the best ways to learn and retain music, to follow.
Thanks for subscribing to my blog. Feel free to request simplified sheet music for pieces you love (written before 1923!) and reach out with your questions, comments, observations and celebrations. I love to hear from you! With love and music, Gaili
I recently heard author (of Eat, Pray, Love) Elizabeth Gilbert speak about creative work:
Everything that is interesting is 90% boring… and we are in a culture that’s addicted to the good part, the exciting part, the fun part.
I laughed out loud when I heard her say that. It’s so true! It is incredibly difficult dealing with the tedium of practicing something challenging, day after day…but the willingness to work through that tedium is exactly what separates the artists from the quitters. What can really help us become more productive is a system or structure of accountability. If you are a piano player, please read my post called Have a Plan, with lots of suggestions for getting your bottom to the bench.
Luckily for me, piano students usually require teachers to make sure they are playing correctly. Good teachers also act as trusted mentors, helping students to stay on track with consistent practicing. An effective mentor guides without dictating; s/he offers you the wisdom of experience while also listening to and respecting your voice. Director Steven Spielberg famously said, “The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.” A mentor or teacher should hold high expectations of you, and question and challenge you in a positive way. The ideal piano teacher is open to the styles of music you want to play, and helps you address your challenges. Give your piano teacher permission to level criticism when s/he sees you going astray, or not taking your piano studies seriously. Teachers should also acknowledge your progress.
Another great means to accountability is playing the piano for and with other people. My students and I hold aPiano and Poetry Partythree times per year to share music, and support each other’s progress. It is wonderful for me to see my students making more time to play before a performance. The anticipation of performing gives us that extra edge of motivation to practice. As a result, the pieces we perform are the ones we remember the best, even years later. If you don’t have recitals or performing opportunities with your piano teacher, you can seek out other ways to get social with your music. There are lots of meet-up groups and open mics for musicians that want to play for each other, and pianists can get together with other instrumentalists such as guitarists, flutists, violinists and singers to jam on a few tunes.
Ultimately, however, you must make yourself accountable to your values and your vision. Plan your practice sessions at the beginning of each week, allocating the minutes (or hours) in your calendar. Establish a structure for practice and stick with it. When you need to miss your practice session for an extended period of time, such as for a vacation, write your intention to leave for the appointed amount of time and resume your practice when you return. Take yourself seriously; keeping aligned with your creative objective even when it is incredibly difficult is an act of self-love and a sign of healthy self-worth.
How to you hold yourself accountable to your creative practice? Please leave a comment! It is great to share ideas 🙂
This post has been excerpted and edited from my upcoming book called Passion Practice: A Playbook for Overcoming Obstacles to Creativity, which will hopefully be available in the fall! I will be giving 10 copies away as soon as it is in print, through Goodreads and Amazon.com. I’ll keep you posted!
In these troubled times, listening to and playing beautiful music helps us stay positive, empathetic and receptive. One of my favorite pieces is the gorgeous [listen:] Aria – Sarabande from Handel’s Triumph of Time and Truth. There is much pain and searching, but ultimately love and hope triumphs. I have adapted this piece for piano in both a short and long form. The first page is the short arrangement, and pages 2-4 contain the full piece.
Those of you who have been following Upper Hands Piano’s blog will notice that I have a new look to my website! It has been quite a laborious experience constructing the new site. I have an aversion to learning computer technology, but I know that it is important for my brain to learn new, difficult tasks, so I have soldiered on and triumphed as well!
Most of the links from previous blogs no longer work. In the coming weeks I will open each post and reload the links, but if you encounter a problem with a link before I can get to it, please send me an email at UpperHandsPiano@gmail.com and I will send you the sheet music or other link directly. I apologize for this glitch- I didn’t realize when I changed servers that I would lose my blog address.
On the free sheet music page, look through the other piano arrangements and see if there are any additional titles you might like to print as they are only posted for a year. Some favorites that will soon be deleted are Fascination (August) and The Water Is Wide (September). Please let me know hat you think of the new website! Or let me know if you encounter any issues with this blog or features on the site.
May you have a joyful July 4th celebration and enjoy the fruits of summer.
My dear student Joan requested the beautiful and melodic Pavane by the French composer Gabriel Fauré so I wrote a couple of arrangements for our piano community 🙂 One is exactly like the original, only a bit shorter, and the other I simplified to an early intermediate level. It has been used in many films and television shows so it will probably sound familiar to you. The Pavane is one of those pieces that appeal to both the young and old, so please feel free to share it with your friends, students or other teachers. *** Update! My student pointed out that the Pavane is played in the hiphop hit Paparazzi by Xzibit! Keeping it current 🙂
Happy May Day! In Europe and Scandinavia May Day was traditionally celebrated with a maypole dance in which neighbors circle around the maypole weaving their ribbons in and out. What might you like to weave into your life this spring? Think about an intention you might set for your practice, and begin each practice session by setting a small goal for a small section of your music, in support of that intention.
I want to remind you to think about your posture when playing the piano. When you want to bend forward, be sure to bend with a straight back. Check-in with your body now and then to make sure you are not curving your back or extending your neck. We tend to hunch over and extend our neck as we age, (and as we text!) and that can cause “forward head posture”, with its attendant neck and back pain.
I hope you enjoy a lovely May filled with flowers and a few showers, wherever you are! With love and music, Gaili
In light of the fact that we’re having some pretty strange spring weather on both the east and west coasts, and because I have been hearing that you’re enjoying the old folk songs, I decided to arrange another beautiful oldie, called Wayfaring Stranger. This dark tune which probably originated in the southern Appalachians, has been recorded by many fine artists, many of whom you can watch here. I think my favorite version is Jack White’s:
You can watch a bit of the song as White sung it in the 2003 film, Cold Mountain (starring Renée Zellweger, Nicole Kidman and Jude Law):
I offered an easy arrangement of Wayfaring Stranger in Upper Hands Piano BOOK 1, and have also re-arranged it for intermediate piano. You can download both, below:
UPDATE- I COULD NOT INCLUDE THE EASY ARRANGEMENT OF WAYFARING STRANGER ON MY NEW WEBSITE. PLEASE EMAIL ME AT firstname.lastname@example.org AND I WILL HAPPILY EMAIL IT TO YOU. SORRY FOR THE INCONVENIENCE!
In the intermediate arrangement I tried to simulate some of that mountain guitar sound that Jack White creates, but I have kept the melody to the traditional notes. Here is a video to help you play Wayfaring Stranger, intermediate:
Here are the lyrics to the third verse, which I didn’t include in the sheet music:
I know dark clouds will hover o’er me I know my pathway is rough and steep But golden fields lie out before me Where weary eyes no more will weep I’m going there to see my Mother She said she’d meet me when I come
So, I’m just going over Jordan I am just going over home
You might also want to scroll down on the FREE Sheet Music Page and print a few more songs before they disappear! (They are available for only one year.) If you haven’t already, print The Water Is Wide. It’s such a beautiful song; I want everyone to know it!
I hope Wayfaring Stranger helps you enjoy the final vestiges of cloudy/rainy/snowy moody/gloominess before the dawning of a sunshiny spring!