Treble Staff Ledger Lines: Free Worksheets

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A couple of month ago I posted worksheets for learning bass ledger lines, and this month I wanted to follow up with worksheets for learning treble staff ledger lines. In both sets of worksheets I use octaves to help the brain grasp where the notes fall on the keyboard. It really helps to orient yourself on the staff and keyboard when you play notes you know, alongside the notes you might just be guessing at. These treble staff worksheets will train your brain to recognize the notes from three ledger lines below the staff (F3), up to three ledger lines above the staff (E6). I didn’t use numbers such as A4 on the treble worksheets because there is so much confusion about octave numbers. Some editors call the lowest key on a standard piano A0 and others call it A1. In my Upper Hands Piano instruction books for Adults 50+, I call the lowest note on the piano A1, which makes middle C, C4, because that seems to be the system most agreed upon. If you find the key numbers confusing don’t worry about learning them. They are just a learning tool, and work better for some than for others. Practice these treble note worksheets a few lines at a time, eventually playing all the lines from 1-16 at one sitting.

CLICK HERE TO PRINT TREBLE STAFF LEDGER LINES WORKSHEETS

I hope you are still able to play your piano in these dog days of summer. It is hot and humid here in Southern California, but of course it has not been nearly as bad as in many cities around the world this week.

In a few days I will be posting the free sheet music for August- I have arranged a few classical favorites that my blog followers have requested in their comments. I love getting your requests! Keep in mind that I can only post songs and pieces written before 1924 (i.e. in the public domain), for free.

Have you set an intention to learn a certain song or piece this summer? Let us know what you are playing so that we can support your efforts! Stay cool, with love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul

P.S. If you have a GMAIL account and would like for these posts to come to your Primary mailbox instead of your Promotions mailbox, just drag the (unopened) email up left into your Primary tab, and, and they will arrive in your Primary mailbox forevermore 😎

June Free Sheet Music: Tico Tico

Tico Tico

I recently came upon the song Tico Tico in a book of songs played by the French Gypsy jazz guitarist, Django Reinhardt, and fell in love with it. Tico Tico is a spicy Brazilian Samba in a minor key, with a dark, dramatic, sexy rhythmic feel.

Here is a guitarist playing Tico Tico, and I love this version by the Andrews Sisters!

My arrangement is not easy, but worth the effort if you are an intermediate student or beyond. I have included fingering for nearly every note, because as we piano teachers know, if you want to play fast, first learn your pieces slowly with good, consistent fingering! (Feel free to change the fingering if you would like, but play it slowly enough so that you can learn your fingering correctly right from the start.)

I love world music and think it is great for students to experience playing melodies and rhythms from non-western music.

CLICK HERE to print TICO TICO

On our Free Sheet Music page you will also see 11 other pieces from the last 12 months. Please print whatever appeals to you today, as each piece can only be posted for a year. If you are reading this and Tico Tico is no longer available, please contact me though my website: UpperHandsPiano.com, and I can send you a copy.

Here is a very old arrangement I found for Tico Tico- it has Russian writing on it, so I guess it has found popularity all over the world! This original music features a growly moving bass line that might fun to play for advanced students:

I hope you are enjoying a warm June weekend, wherever you are.

What’s one to say about June, the time of perfect young summer, the fulfillment of the promise of the earlier months, and with as yet no sign to remind one that its fresh young beauty will ever fade.

-Gertrude Jekyll

If you plan on taking a vacation and don’t wish to lose ground on your piano progress, read my post called The Think System, about how you can maintain your piano skills whether you are in flight or enjoying a luxurious day on the beach

If you are new to this blog, welcome! And thanks for joining us. I have written a series of piano instruction books called Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul, as well as piano songbooks called Songs of the Seasons. You can check them out below or on my website.

Happy young summer, and let me know what you think of Tico Tico! With love and music, Gaili

Bass Staff Ledger Lines: Free Worksheets

Birds on Musical Staff
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Some of my students who have been working through the ledger line worksheets are having trouble figuring out which octave in which to play the low bass ledger line notes. To help you get a handle on which bass note is where, I have created another set of worksheets 😆

The first page starts with a chart to show you that A3, which is two white keys below middle C, is written on the top line of the bass clef, A2 is an octave below A3 and is written on the bottom space of the bass staff, and A1 is an octave below A2 and is written three ledger lines below the bass staff. If you can learn the octaves for those three As, you can use them as touchstones to find the octaves for all of the notes in between. I have color coded the notes by octaves, so that you can refer back to the chart on page 1.

CLICK HERE TO PRINT:

If locating the correct octave is an issue for you with bass notes, start by playing line 1 forwards and backwards for at least a week, until you feel confident that you know where each note is on the keyboard. Then slowly go through the first few lines on page 2, referring back to page 1 to make sure you are in the right place. As always, play the lines forwards and backwards to double your practice, and challenge your brain. Another great way to practice is to say either “A2,” “A3” or “A4” when you come across each A.

I hope you find these worksheets helpful! I’m always looking for ways to help students overcome their musical obstacles, so leave a comment if you have another issue you would like me to highlight.

If you are new to this blog, thanks for joining me! I have written a series of piano instruction books called Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul. My mission is to make learning how to play the piano easier and more fun for older adults by applying the latest innovations in learning science, along with using larger notes and fonts, brain games, videos and lots of encouragement. You can check out the books on my website, or on Amazon.com.

With love and music, Gaili

P.S. I just noticed that Amazon has put Upper Hands Piano, BOOK 2 on sale for about 25% off at $16.63 (regular $21.95). I have no idea how long it will be on sale, but if you’re nearing the end of BOOK 1, now might be a good time to purchase BOOK 2!

May Free Sheet Music: The Entertainer

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One of the most requested piano pieces is Scott Joplin’s, The Entertainer. Though Joplin wrote it in 1902, it was used in the film The Sting which was set in the 1930s, because it conveys an exuberant sense of humor and mischief. Ragtime is challenging to play because of its syncopated rhythm. Syncopation is when a weak beat (the eighth notes between beats 1, 2, 3 and 4, or the notes we count as “and” and call “upbeats”) is tied to a strong beat (beats 1, 2, 3, and 4, called “downbeats”). An upbeat is made strong when it is tied to a downbeat. In The Entertainer you will see a tie connecting the “and” (upbeat) of beat 2, to beat 3. The tie naturally accents and emphasizes the upbeat. Syncopation creates the jaunty rhythm characteristic of ragtime. Almost every measure of The Entertainer has a syncopated note.

Though I have simplified this arrangement of The Entertainer a bit, it is still quite a challenge to play. I would suggest that you approach the piece by writing the counts under the notes. [Never feel embarrassed to write counts in your music–even professional musicians write in counts for tricky musical passages.] After awhile you won’t have to worry about counting when your ear kicks in, but be meticulous about your counting to start. If you find the introduction too difficult to play with two hands, feel free to play it with just your right hand. And as always, you are welcome to change fingerings if you find something you like better.

CLICK HERE TO PRINT: The Entertainer

…plus other free sheet music from the past year

Remember the free sheet music I post is only available for a year. If you are reading this and want a copy of The Entertainer after The Entertainer is no longer on the FREE SHEET MUSIC page, leave a comment below or email me at upperhandspiano@gmail.com to request a free copy.

I also wanted to point out a new (restored) RESOURCES page on my website. On that page I list books of music that you might like to play while playing through the Upper Hands Piano method (with BOOKS 2+), and after you have finished the series. I have included fake books with popular music and standards, as well as classical collections.

I hope you have been enjoying a lovely spring in your neck of the woods. If you are preparing for an upcoming performance you might find my posts on Performance Anxiety and Recital Season helpful. I’m currently working on worksheets for students who have a difficult time remembering which octave to play their bass notes. If you need help solving piano issues, feel free to make a request in the comments below. I’m always happy to find ways to help students remove their musical roadblocks. Chances are that many others are sharing your difficulties.

With love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul

How to Play Softer With One Hand: 5 Exercises

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Dynamic Independence

As you progress in your piano studies an issue will eventually come up that we piano teachers call hand independence, particularly where dynamics (volume) are concerned (also called tone balance). What this means is that more experienced pianists are able to play more softly with one hand than the other. This is an important skill because you want to be able to bring out the melody of a song or piece while keeping the accompaniment softer. 

At first it feels impossible, like rubbing your stomach while patting your head! But after some concentrated practice over time (it takes time for the brain to grasp this skill!) you will be able to play with your hands at different volumes, naturally. 

Toward this end I’ve developed a set of five progressive exercises, each of which you play in all 12 keys (using the first 5 notes of each scale, called the pentascale). It’s important that you do practice each exercise in all 12 keys in order to fully learn the technique. If you haven’t pretty much mastered an exercise by the 12th key (not uncommon at all), play it again in all 12 keys until you’ve got it. I suggest you play the exercises in chromatic order as it is good for the brain to mix it up, with difficult keys following easier keys:

C, D-flat, D, E-flat, E, F, G-flat, G, A-flat, A, B-flat, B. 

CLICK HERE to print 5 exercises for Dynamic Independence

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As a side benefit, these exercises teach (or review) major triad inversions! Inversions are when we change the order of the notes of a chord, and are important to learn. If you’re playing classical music styles you will come upon inversions all the time, and if you are familiar with them, you will learn the music more quickly and accurately. If you are playing popular music styles you will also be playing lots of inverted chords, and it would be great to become familiar with the chord symbols if you’re playing from “fake books” or “lead sheets” (treble melodies written with chord symbols above the staff). 

You might also like trying some ideas by another teacher which involve “ghost playing” with one hand (tapping the keys without depressing them) while the other hand depresses the keys. They are more difficult to learn than my exercises, but you might like using both. Start at 2:25 here.

If you are new to my blog, welcome! Thanks so much for subscribing. Please check out my fun, supportive piano instruction books for adults over 50 on my website, (where you will also find lots of free sheet music, which I give away each month). The Upper Hands Piano books teach both classical and popular styles with larger notes and fonts, and emphasize learning chords. They use the latest scientific data on how the brain learns and retains musical information, to help you learn as quickly and enjoyably as possible. 

Speaking of free sheet music, in honor of Groundhog’s Day (Feb 2nd) I will soon be posting an easy-ish arrangement of Rachmaninoff’s Variation 18 – Rhapsody on a theme of Paganini that was played by Bill Murray in the beloved movie Groundhog Day (I must admit that I watch it every year!) I can’t include his jazz solo, but there will be a full arrangement of the theme:

I hope you are enjoying a beautiful winter wonderland, wherever you are. Here in Los Angeles it has been raining (which is wonderful for us), but I do feel envious of the snowscapes I see on Instagram and Facebook. If you are on those social media platforms, please follow @UpperHandsPiano to get updates on free sheet music and piano practice tips. 

And PLEASE feel free to ask questions or share your observations about these 5 exercises (or anything else piano related!) We love to hear from you, and everyone learns when someone asks questions or shares their experience. Stay cozy, and enjoy your piano practice!

P.S. Many people have reported that they are no longer receiving my blog posts. I am working on this issue- it’s a technical problem which is not my forte! But I am working with a support team, so hopefully the issue will be resolved soon. So sorry if you have missed some of my posts lately, or if you got this post twice! ;(

With love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to SPARK the Mind, Heart and Soul.

Available on Amazon.com

KEY UP: Moving hands forward on the keys

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One of the primary differences between experienced pianists and beginners is in the fluidity of the hand moving forward and backward on the keys. Experienced players instinctively move their hands forward on the keys (towards the piano) when playing black keys or encountering a succession of keys that put their hand at an awkward angle. Less experienced pianists however, tend to keep their hand at the edge of the keys (closer to our bodies) so that when they encounter an awkward succession of keys they need to twist and stretch their body. 

Check-in with your body when playing a physically challenging musical passage or playing black keys. If you feel your body contorting, try moving your hand forward on the keys instead. Though it can be a little more difficult to press down the keys as you move closer to the wood, it is far better to move your hand forward than to twist your body. Besides looking and feeling awkward, twisting your body takes more time, resulting in missed beats. 

It takes some time to develop the instinct for moving your hand forward and backward effortlessly on the keys. When you encounter a musical passage that seems to take extra time and effort for maneuvering, try moving your hand forward instead of twisting your body. Watch this YouTube video of La Campanella (you can find simplified sheet music on my former blog post here) and notice that the pianist is constantly moving her hand forward and backward on the keys, and often plays at the very top of the keys where need be. While most of us are not as advanced as this pianist, we can take her fine technique to heart and apply it to our own playing. Start by becoming more aware of how you move your hands and body at the piano. 

I hope that during your Thanksgiving preparations (if you are American!) you will take time to practice your piano, even if it’s only for 5 or 10 minutes at a time. Playing the piano is a great way to de-stress, and clearing the mind of to-do lists for 10 minutes will help you to think more clearly and increase focus. 

I’d like to take this opportunity to express my gratitude to my blog subscribers. Your support means the world to me. I so enjoy arranging songs and pieces for you each month, and sharing my practice tips with you. Writing helps me to deepen my understanding of the piano. I love that playing the piano provides us with the opportunity for lifelong learning and development. I’m grateful that you are here, and that we can learn and grow together. Always feel free to leave a comment. When you share what you have observed in your playing, we can learn from each other!

With love and gratitude, Gaili

Gaili Schoen

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul available on Amazon.com

November Free Sheet Music: Sonata Pathetique (Adagio cantabile)

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To reawaken love and beauty when life feels overwhelmingly painful, we can turn to our music. This gorgeous theme from the  2nd movement (video) of Beethoven’s Sonata Pathétique reminds me that alongside recent horrific events, there have been incredible acts of human kindness and generosity that fill me with optimism and love. I hope that playing Beethoven’s music swells your heart as it does mine.   

Beethoven’s Sonata Pathetique is an advanced piece, but as you know, I like to take difficult pieces and make them accessible to beginning and intermediate piano students. So I have transposed the Adagio cantabile theme to the key of C, and simplified it ever-so-slightly for the intermediate student. I hope in doing so I have retained the original beauty of the movement, while offering a challenging, yet more easily played arrangement for the intermediate pianist. 

CLICK TO PRINT Sonata Pathétique, Adagio Cantabile, intermediate (on our website)

Note: I can only keep each free sheet music arrangement on my website for a year. If this title is no longer available on the Free Sheet Music page of my website, please request it by email: upperhandspiano@gmail.com and I will email it to you! Don’t worry, I won’t spam or share your email. 

I also have a very easy 1-page arrangement of the Sonata Pathetique for beginners. The easy arrangement loses much of the beautiful harmonies of Beethoven’s theme, but for the beginner it might be a fun entry. To get the 1 page arrangement, please email me at upperhandspiano@gmail.com and I will happily send it to you. No spam, ever, I promise! 

Because I have been suffering from some nasty food poisoning, it’s taken me awhile to tell you my big news… 

American Music Teacher magazine has published an article I wrote entitled Geragogy: The Joys of Teaching Older Adults, in its October/November issue! American Music Teacher is The Official Journal of Music Teachers National Association (MTNA) of which I am a proud member and contributor. 

American Music Teacher magazine, Oct/Nov

If you are a member of MTNA you can read my article on p. 16 of the current Oct/Nov issue, or you can read it online here. I offer specific teaching examples for piano teachers, but most of the article is useable by teachers of all instruments. Thanks American Music Teacher for encouraging me to write about my passion: teaching piano to older adults. I’m working on a follow-up article about teaching students using scientific studies on how the brain learns and retains musical information (for teachers of students of all ages.) 

I hope you have a beautiful Thanksgiving filled with good food, good friends and/or family. Perhaps you can serenade your loved ones with the Adagio cantabile if you start practicing the piece today! Look around and see how the faces of your audience have softened into love, peace, and joy while listening to your beautiful music. Remember, it doesn’t have to be even nearly perfect. Play from your heart and your listeners will feel elevated by the beauty of the music. 

With love and deep gratitude, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul 

Available on Amazon.com

September Free Sheet Music: Clair de lune

Clair de lune

I have had many requests for easy sheet music to Debussy’s Clair de lune, and so have transposed it to C and simplified it for the intermediate piano student. I also have a one page EASY arrangement of Clair de lune for the beginner which I am not able to post on the website (see below), so please leave a reply if you would like me to send you the easy one-pager! (I’ll email it to you privately.)

FREE Clair de lune EASY sheet music
Leave a reply if you would like this EASY one-page arrangement

CLICK HERE TO PRINT Clair de lune (intermediate)

Note: I can only keep each free sheet music arrangement on my website for a year. If this title is no longer available on the Free Sheet Music page of my website, please request it by email: upperhandspiano@gmail.com and I will email it to you! Don’t worry, I won’t spam or share your email. 

Here is a performance of this intermediate arrangement of Clair de lune:

Clair de lune, (translation: “moonlight”) is the third movement from the Suite bergamasque by French composer Claude Debussy. It has been featured in many films for its beautiful, emotive quality. I have written in fingering, but as always it is only a suggestion, and you can change it per your own comfort.

Labor Day feels like the beginning of the end of summer. Are you sorry to feel the air chilling and the days shortening? Autumn is my favorite season so I am happily anticipating the days ahead. Perhaps you or your students can learn Clair de lune to play for your family on Thanksgiving! Remember that sharing your music is a gift to your loved ones, and planning to play for an event is a great way to get motivated to practice. 

For those of you new to my blog, let me tell you quickly that I am a piano teacher of over 30 years, who has spent the last decade doing research on how the brain learns and retains musical information. I’ve used principles of the learning sciences to write a series called Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul (available on Amazon.com), and am currently writing a series called Piano Powered, for children and young adults. I have an article coming out in the magazine American Music Teacher soon about teaching older adults, with an article about the best ways to learn and retain music, to follow. 

Thanks for subscribing to my blog. Feel free to request simplified sheet music for pieces you love (written before 1923!) and reach out with your questions, comments, observations and celebrations. I love to hear from you! With love and music, Gaili

Gaili Schoen

Author, Upper Hands Piano:A Method for Adults 50+ to Spark the Mind, Heart and Soul, and Songs of the Seasons.

UpperHandsPiano.com

PianoPowered.com

Accountability

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Play music together!

 I recently heard author (of Eat, Pray, Love) Elizabeth Gilbert speak about creative work:

Everything that is interesting is 90% boring… and we are in a culture that’s addicted to the good part, the exciting part, the fun part.

I laughed out loud when I heard her say that. It’s so true! It is incredibly difficult dealing with the tedium of practicing something challenging, day after day…but the willingness to work through that tedium is exactly what separates the artists from the quitters. What can really help us become more productive is a system or structure of accountability. If you are a piano player, please read my post called Have a Plan, with lots of suggestions for getting your bottom to the bench. 

Luckily for me, piano students usually require teachers to make sure they are playing correctly. Good teachers also act as trusted mentors, helping students to stay on track with consistent practicing. An effective mentor guides without dictating; s/he offers you the wisdom of experience while also listening to and respecting your voice. Director Steven Spielberg famously said, “The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.” A mentor or teacher should hold high expectations of you, and question and challenge you in a positive way. The ideal piano teacher is open to the styles of music you want to play, and helps you address your challenges. Give your piano teacher permission to level criticism when s/he sees you going astray, or not taking your piano studies seriously. Teachers should also acknowledge your progress.

Another great means to accountability is playing the piano for and with other people. My students and I hold a Piano and Poetry Party three times per year to share music, and support each other’s progress. It is wonderful for me to see my students making more time to play  before a performance. The anticipation of performing gives us that extra edge of motivation to practice. As a result, the pieces we perform are the ones we remember the best, even years later. If you don’t have recitals or performing opportunities with your piano teacher, you can seek out other ways to get social with your music. There are lots of meet-up groups and open mics for musicians that want to play for each other, and pianists can get together with other instrumentalists such as guitarists, flutists, violinists and singers to jam on a few tunes.

Ultimately, however, you must make yourself accountable to your values and your vision. Plan your practice sessions at the beginning of each week, allocating the minutes (or hours) in your calendar. Establish a structure for practice and stick with it. When you need to miss your practice session for an extended period of time, such as for a vacation, write your intention to leave for the appointed amount of time and resume your practice when you return. Take yourself seriously; keeping aligned with your creative objective even when it is incredibly difficult is an act of self-love and a sign of healthy self-worth.

How to you hold yourself accountable to your creative practice? Please leave a comment! It is great to share ideas 🙂

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Passion Practice

This post has been excerpted and edited from my upcoming book called Passion Practice: A Playbook for Overcoming Obstacles to Creativity, which will hopefully be available in the fall! I will be giving 10 copies away as soon as it is in print, through Goodreads and Amazon.com. I’ll keep you posted!

With love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to Spark the Mind, Heart and Soul

UpperHandsPiano.com

June Free Sheet Music: Tchaikovsky’s June

Tchaikovsky's June
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I hope you are enjoying luxuriously lengthening days as we launch into summer. My garden is crying out for me to do some much-needed pruning, weeding and watering, but thankfully I can always count on my lavender to thrive without making any demands whatsoever. This is a photo of the gorgeous lavender fields at the lovely Senanque Monastery in Provence, France. My lavender doesn’t look quite like this 🙂 but I can dream…

This month I wanted to share Tchaikovsky’s June with you. It’s a beautiful piece that reflects the June gloominess we experience here in on the California coast. I have simplified it for the early intermediate student who wants to enjoy Tchaikovsky’s gorgeous theme. Some in our piano community believe that we shouldn’t simplify piano literature, but I think it’s inspiring for students to get to be able to play beautiful themes from the masters, as they are learning. And anything that inspires practice is a win in my estimation. This arrangement is from our Songs of the Seasons: SUMMER book, available on Amazon along with our Upper Hands Piano books for older adult students

CLICK  HERE  TO  PRINT:  JUNE                                                 (only available until June 2019)

You might also want to scroll down on the free sheet music page to print last June’s arrangement of Pachelbel’s Canon. It will only be available until the end of June, so print it now! (I take down all pieces after a year to make room for new content.)

Speaking of inspiring practice, I am currently engrossed in writing a practice journal for people who need some strategies and words of wisdom and encouragement to keep them on track with their creative practice (I know that I have in the past!) I am loving the process of writing and researching this book, and hope to have it finished by the end of the summer. In the coming weeks I will excerpt some of the pages from the book that best apply to piano students, in hopes that it will help get you to the bench. Do you have any summer goals for your piano practice? Is there a piece you wish to complete, or a skill you would like to improve? Please leave a comment so we can support your goal! 

With love and music, Gaili

Author, Upper Hands Piano: A Method for Adults 50+ to SPARK the Mind, Heart and Soul

UpperHandsPiano.com