Music is made up of chords that blend with melody within a rhythm, to tell a story. As pianists we are called upon to play chords all of the time, broken (one or two notes at a time) or block (all of the notes played together) for all genres of music including classical, jazz, and all popular styles. The better we understand chords, the easier it will be to read music and chord symbols (letters above the lines of popular sheet music that tell you which chord to play). And the better we read, the faster we will learn. In three posts, I want to unpack chords, digging deep into what they are and how to build them. Here in Part 1 we will focus on the basic 3-note chords called triads; Part 2 moves on to inverted triads; and Part 3 explores 6th and 7th chords, and will include free flash cards to further help you learn your 7th chords.
I love chords, so I’m so glad that I play a chordal instrument. When I was a child, my parents played 1920s-1950s music on the record player while we were doing household chores. Then I would go pick out the melodies on our piano. When I found the chords to fit the melodies I was enthralled; I was playing songs! When I began studying jazz in high school (in addition to my long standing classical lessons), I expanded my knowledge of chords to include all kinds of exotic sounds. I love the way that different chords elicit different emotions. When I was a film composer, I used a variety of rich chords to make the audience feel whatever emotion the director wanted them to feel. Chords are magic!
If you are a beginner, you might just be starting to explore the world of chords. In Upper Hands Piano, BOOK 1, I teach Major, Minor, Diminished and Augmented Triads (3-note chords) within a series of exercises. By the end of the book you are playing triads in songs. But even more experienced pianists might not know that chords are based on musical principles that are like mathematical formulas. I have made a video to show you how to build MAJOR, MINOR, DIMINISHED, AUGMENTED and SUSPENDED triads using these formulas:
Here is a recap of the triad formulas you just learned: MAJOR: 4 half steps | 3 half steps; MINOR: 3 | 4 ; DIMINISHED: 3 | 3 ; AUGMENTED 4 | 4 ; SUSPENDED: Root 4th 5th.
Stay tuned for How to Build Chords on the Piano, Parts 2 and 3 coming soon (videography is not my forte 😆so it takes me awhile) where we will build chords that will further enrich your music. I will also be posting my free October sheet music soon.
I hope you are enjoying the first tickle of autumn in your town or city. Here in Los Angeles it is still quite warm, and we are longing for cooler days when we can wear cozy sweaters, cook apple sauce and soups, and play songs like Autumn Leaves and Vivaldi’s Autumn. To help you feel the fall spirit, here is an easy (free) arrangement of Vivaldi’s Autumn, from my Upper Hands Piano: Songs of the Seasons, AUTUMN book for you to download and print:
By the way, I hope you don’t mind too much that to support this blog, I advertise my Upper Hands Piano and Songs of the Seasons books sometimes (you can find links at the bottom of this post). I also wanted to tell you that for arrangements of songs and pieces not in the public domain, I post arrangements on Sheet Music Plus. I recently arranged Leonard Cohen’s Hallelujah for intermediate piano, and you can find Autumn Leaves- EASY here, and intermediate here. For those of you who are new to this blog, thanks for joining us! You can find free sheet music here, but remember that each piece is only posted for a year.
If you have any questions after watching the above video, PLEASE post your questions below. I love talking about chords and want to make this discussion as clear as possible for you. With love and music, Gaili