Scott Joplin was one of the most innovative composers in the history of western music. Credited with inventing ragtime music in the 1890s, Joplin composed over 100 pieces before he died at age 48. One of my favorite Joplin pieces is Solace. Though not as popular as The Entertainer or The Maple Leaf Rag, Solace, with the subtitle, A Mexican Serenade, is a slow, reflective piece that expresses a wide range of emotions. You may remember that Solace was featured in the 1973 film, The Sting.
I have arranged the final theme from Solace for early-intermediate piano. As always, remember that the fingering I have printed is only a suggestion. If you find a fingering you like better, cross mine out and write yours in, in order to keep your fingering consistent.
If my arrangement is too difficult for you to play, just play the top notes of the treble staff; that way you will still enjoy Joplin’s beautiful melody without the difficulty of playing two right hand notes at a time. If you are a more advanced pianist and would like to play Joplin’s original sheet music, click below:
I hope that playing the piano is providing some solace for you. Sometimes a tasty meal, a cutting of flowers, or a beautiful melody can lift our spirits and remind us that a world of beauty surrounds us. What are you doing to self-care?
One of the most requested piano pieces is Scott Joplin’s, The Entertainer. Though Joplin wrote it in 1902, it was used in the film The Sting which was set in the 1930s, because it conveys an exuberant sense of humor and mischief. Ragtime is challenging to play because of its syncopated rhythm. Syncopation is when a weak beat (the eighth notes between beats 1, 2, 3 and 4, or the notes we count as “and” and call “upbeats”) is tied to a strong beat (beats 1, 2, 3, and 4, called “downbeats”). An upbeat is made strong when it is tied to a downbeat. In The Entertainer you will see a tie connecting the “and” (upbeat) of beat 2, to beat 3. The tie naturally accents and emphasizes the upbeat. Syncopation creates the jaunty rhythm characteristic of ragtime. Almost every measure of The Entertainer has a syncopated note.
Though I have simplified this arrangement of The Entertainer a bit, it is still quite a challenge to play. I would suggest that you approach the piece by writing the counts under the notes. [Never feel embarrassed to write counts in your music–even professional musicians write in counts for tricky musical passages.] After awhile you won’t have to worry about counting when your ear kicks in, but be meticulous about your counting to start. If you find the introduction too difficult to play with two hands, feel free to play it with just your right hand. And as always, you are welcome to change fingerings if you find something you like better.
Remember the free sheet music I post is only available for a year. If you are reading this and want a copy of The Entertainer after The Entertainer is no longer on the FREE SHEET MUSIC page, leave a comment below or email me at firstname.lastname@example.org to request a free copy.
I also wanted to point out a new (restored) RESOURCES page on my website. On that page I list books of music that you might like to play while playing through the Upper Hands Piano method (with BOOKS 2+), and after you have finished the series. I have included fake books with popular music and standards, as well as classical collections.
I hope you have been enjoying a lovely spring in your neck of the woods. If you are preparing for an upcoming performance you might find my posts on Performance Anxiety and Recital Season helpful. I’m currently working on worksheets for students who have a difficult time remembering which octave to play their bass notes. If you need help solving piano issues, feel free to make a request in the comments below. I’m always happy to find ways to help students remove their musical roadblocks. Chances are that many others are sharing your difficulties.