I hope you have been getting your creative juices flowing after spending some time improvising on your instrument. If you haven’t yet tried improvising, read this post.
To compose a song or piece, you can start with the chords, or the melody, or the lyrics, or a combination of those three elements. In this post we will approach composing using chords. To show you how to find the chords that will work for your song or piece, I have made a YouTube video demonstrating chord theory, with examples of chord progressions from popular songs and pieces. It might seem confusing at first, but after watching it a few times I hope it starts to make sense:
To reiterate what you saw in the video above, you can find the chords for your song by playing triads (3-note chords that skip a key/letter) on each note of whichever key you choose to write in, using only the notes from the scale to form your chords.
In the video I chose to use the key of C for ease and comfort. But if you are composing a song with lyrics you might need to use other keys in order to accommodate the range of the singer.
To make it easier for you, here is a chart showing the seven chords associated with each scale, or key. Click to Print:
After watching the video and printing out the chart, experiment with some chord progressions. Keep trying combinations of chords until you find a progression you really like. Or you can use one of the progressions outlined in the video. Have fun with this! Don’t expect to write your masterpiece on your first try!
In my next post I will approach composing from the melody, but you will find it easier if you already understand the chord theory described in the video and chart above.
Best wishes for your good health, with love and music, Gaili
With all of the extra time you now have, it is a great time for you to stick your toe into the pool of songwriting. Ok don’t scream, shudder or declare “absolutely not!” before you hear me out. Think about this: We improvise all of the time in our daily lives; when we speak, when we prepare a meal, when we exercise, etc. We are born improvisors, putting things together as we go along. So why not play around a bit on your keyboard just for the fun of it? Or just out of curiosity? Also, improvising is REALLY GREAT for your brain. If you don’t believe me, listen to Charles Limb’s 16 minute Ted Talk and you’ll be fully convinced. Then please read or reread my blog posts about improvising: Part 1, Part 2, and Part 3 to get you started playing to some chord progressions.
If I have convinced you to try improvising, here are some ideas to take you to the next step. First, de-clutter your practice space. Move sheet music you aren’t currently playing away from your field of vision. An open space supports an open, creative mind. Keep your tools (blank manuscript paper, pencils, eraser, pens) neat, clean and visible, so that you’re reminded to practice whenever you pass by. Begin your practice with small steps and low expectations. As Ralph Waldo Emerson said, “Every artist was first an amateur.” Start by setting an intention to just mingle with your keys for 10 minutes a day. Make it part of your healthful daily routines such as brushing your teeth, or eating breakfast. Don’t let your head hit the pillow at night until you’ve jammed on the keyboard for 10 minutes. Notice which musical phrases you liked, and which you didn’t like. Write down the phrases you liked either as notes on manuscript paper (blank sheet music lined paper) or as letters going up or down on the page. You might use the phrases you like in a song later.
If you would like to try to write a song with lyrics, scribble words—any words—on paper for 10 minutes. Write about your angst, your fear, your lethargy, your blank page—whatever the obstacle is feeling like at the moment. I have a piano student who one day realized that he wanted to become a songwriter. When I asked him what he’d like to write about first, he grimaced, “I can’t do it! I’m so uncomfortable!” “Great!” I replied. “That’s your first line.” And he wrote a great song called, Uncomfortable. Or you might write about what or who you love, about your gratitude, or about something fun (remember having fun? call upon those memories even if you aren’t having fun right now!) Just play around with your lyrics ’til you get a couple of lines down that you like. “Fake it ‘til you make it” is great advice. Forget about creating your masterpiece. Just flex the muscles of your imagination. Shake hands with it and take it out for a little spin. Taking those first tentative steps daily, saves us from the tyranny of procrastination. With time, try to become a little braver during your 10 minutes . Trust your creativity more than your fear. As author John A. Shedd said, “A ship in harbor is safe. But that’s not what ships are built for.” What are you built for? Begin to tap into your own style, voice, and perspective. Get curious and dabble. Then find a small focus towards your creative progress and work on it. For at least 10 minutes each day. Set your phone timer for 10 minutes then forget about time and focus on your art.
In my next post I will help you get started with putting a song (with lyrics) or instrumental piece (without lyrics) together.
How is your piano practice going? Do you find it relaxing to practice? I hope you are coping as well as can be during our quarantine. With love and music, Gaili
P.S. If you need a manuscript book for your compositions you can click on the yellow book below to purchase ours on Amazon. You can also check out our Upper Hands Piano instruction book and our Songs of the Seasons: Spring book!
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